Results for 'James O. Horrigan'

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  1. The ethics of the new finance.James O. Horrigan - 1987 - Journal of Business Ethics 6 (2):97 - 110.
    This paper examines the normative ideas flowing from the contemporary theories that make up the New Finance. These theories include the Irrelevance Theorem, Efficient Market Hypothesis, Capital Asset Pricing Model, Options Pricing Model, and Agency Theory. The behavioral consequences that would ensue if everyone took the normative precepts of the New Finance seriously are subjected to a Kantian analysis to determine their ethical implications. It is concluded that the corporate world in the New Finance is a place where the firm (...)
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  2. Cultural Appropriation and the Arts.James O. Young - 2008 - Wiley-Blackwell.
    Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically (...)
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  3. The coherence theory of truth.James O. Young - 2008 - Stanford Encyclopedia of Philosophy.
  4. Art and Knowledge.James O. Young - 2001 - New York: Routledge.
    Almost all of us would agree that the experience of art is deeply rewarding. Why this is the case remains a puzzle; nor does it explain why many of us find works of art much more important than other sources of pleasure. Art and Knowledge argues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. The view that art is a (...)
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  5. Art and Knowledge.James O. Young - 2005 - Journal of Aesthetics and Art Criticism 63 (2):198-200.
     
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  6. Review of 'Wilfrid Sellars' (James O'Shea 2007) and 'Wilfrid Sellars' (Willem deVries 2005).Jaroslav Peregrin, James O'shea & James R. O'Shea - 2008 - Erkenntnis 69 (1):131-135.
    A review of deVries' and O'Shea's books, both titled "Wilfrid Sellars". By Jaroslav Peregrin.
     
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  7. The Church in the Churches.James O. McGovern - 1968
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  8.  13
    12 Morality: invention or discovery?James O. Vrmson - 1994 - In K. W. M. Fulford, Grant Gillett & Janet Martin Soskice, Medicine and Moral Reasoning. New York: Cambridge University Press. pp. 3--162.
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  9.  24
    Nietzsche and the Impurity of Value.James O. Bennett - 1978 - New Scholasticism 52 (4):518-536.
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  10.  18
    Charles Batteux: The Fine Arts Reduced to a Single Principle.James O. Young (ed.) - 2015 - New York, NY: Oxford University Press.
    The Fine Arts Reduced to a Single Principle by Charles Batteux was arguably the most influential work on aesthetics published in the 18th century. James O. Young presents the first complete English translation of the work, with full annotations and a comprehensive introduction, which illuminate Batteux's continuing philosophical interest.
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  11.  57
    Friendship, Morality, and Special Obligation.James O. Grunebaum - 1993 - American Philosophical Quarterly 30 (1):51 - 61.
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  12.  23
    Batteux: The Fine Arts Reduced to a Single Principle.James O. Young - 2015 - New York, NY: Oxford University Press UK. Edited by James O. Young.
    The Fine Arts Reduced to a Single Principle by Charles Batteux was arguably the most influential work on aesthetics published in the eighteenth century. It influenced every major aesthetician in the second half of the century, and is the work generally credited with establishing the modern system of the arts: poetry, painting, music, sculpture and dance. Batteux's book is also an invaluable aid to the interpretation of the arts of eighteenth century. And yet there has never been a complete or (...)
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  13.  23
    Critical Reflections on Poetry and Painting (2 vols.): Translated with an Introduction and Notes by James O. Young and Margaret Cameron.James O. Young & Margaret Cameron (eds.) - 2021 - BRILL.
    This is the first modern, annotated and scholarly edition of Jean-Baptiste Du Bos’ _Critical Reflections on Poetry and Painting_, one of the seminal works of modern aesthetics in any language.
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  14.  24
    Friendship: Liberty, Equality, and Utility.James O. Grunebaum - 2003 - State University of New York Press.
    Addresses the question of whether special preference for friends is morally justified.
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  15. Authenticity in performance.James O. Young - 2000 - In Berys Nigel Gaut & Dominic Lopes, The Routledge Companion to Aesthetics. New York: Routledge.
     
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  16.  78
    The ‘great divide’ in music.James O. Young - 2005 - British Journal of Aesthetics 45 (2):175-184.
    Several prominent philosophers of music, including Lydia Goehr and Peter Kivy, maintain that the experience of music changed drastically in about 1800. According to the great divide hypothesis, prior to 1800 audiences often scarcely attended to music. At other times, music was appreciated as part of social, civic, or religious ceremonies. After the great divide, audiences began to appreciate music as an exclusive object of aesthetic experience. The great divide hypothesis is false. The musicological record reveals that prior to the (...)
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  17. Berys Gaut and Paisley Livingston, eds., The Creation of Art: New Essays in Philosophical Aesthetics Reviewed by.James O. Young - 2004 - Philosophy in Review 24 (2):107-109.
     
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  18. (1 other version)Peter Kivy.James O. Young - 2012 - In Alessandro Giovannelli, Aesthetics: The Key Thinkers. New York: Continuum.
     
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  19.  28
    Suppression of perceptual organization in the auditory mode by the presence of visual stimuli.James O. Spencer - 1973 - Bulletin of the Psychonomic Society 1 (1):31-32.
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  20.  26
    Authenticities: Philosophical Reflections on Musical Performance.James O. Young - 1995 - Journal of Aesthetics and Art Criticism 54 (2):198-200.
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  21.  15
    (1 other version)The Dynamic Individualism of William James.James O. Pawelski - 2007 - State University of New York Press.
    Explores James’s concept of the individual in terms of physiology, psychology, philosophy, and religion.
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  22.  79
    Fair-weather friendships.James O. Grunebaum - 2005 - Journal of Value Inquiry 39 (2):203-214.
  23.  25
    Dewey on Causality and Novelty.James O. Bennett - 1980 - Transactions of the Charles S. Peirce Society 16 (3):225 - 241.
  24.  40
    In defence of colourization.James O. Young - 1988 - British Journal of Aesthetics 28 (4):368-372.
  25.  56
    Still more in defense of colorization.James O. Yooung - 1992 - Journal of Aesthetics and Art Criticism 50 (3):245-248.
  26. Art, knowledge, and exemplification.James O. Young - 1999 - British Journal of Aesthetics 39 (2):126-137.
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  27.  48
    Holism and meaning.James O. Young - 1992 - Erkenntnis 37 (3):309 - 325.
  28.  40
    Philosophical Perspectives on Music.James O. Young - 1999 - Journal of Aesthetics and Art Criticism 57 (1):75-76.
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  29. (1 other version)The sources of the text of Quevedo's Política de Dios.James O. Crosby - 1959 - New York: The Modern language association of America.
     
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  30.  31
    Judgment of covariation in classical and instrumental conditioning contexts.James O. Benedict - 1991 - Bulletin of the Psychonomic Society 29 (5):457-459.
  31.  13
    Aesthetics.James O. Young (ed.) - 2005 - New York: Routledge.
    This four volume set brings together both classic and contemporary writings to provide a comprehensive collection of the most important essays on the subject. All of the various artistic genres are addressed, with sections on film, dance and architecture as well as music, literature and the visual arts. With a new introduction by the editor to guide the reader through the volumes, this major new work will provide student and researcher alike with key writings on aesthetics in one convenient, unique (...)
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  32.  16
    Evaluation and the Cognitive Function of Art.James O. Young - 1995 - The Journal of Aesthetic Education 29 (4):65.
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  33. Jenefer Robinson, Deeper Than Reason: Emotion and its Role in Literature, Music, and Art Reviewed by.James O. Young - 2006 - Philosophy in Review 26 (5):374-376.
     
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  34. Music and the Representation of Emotion.James O. Young - 2013 - Frontiers of Philosophy in China 8 (2):332-348.
     
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  35.  25
    Roger Scruton , Understanding Music: Philosophy and Interpretation . Reviewed by.James O. Young - 2011 - Philosophy in Review 31 (1):67-79.
  36. Marx's Defense of Property.James O. Grunebaum - 1980 - Philosophical Forum 11 (3):234.
     
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  37.  28
    A study of Zajonc’s theory of social facilitation using a wheel-turn Sidman avoidance response in rats.James O. Benedict, John L. Cofer & Michael W. Cole - 1980 - Bulletin of the Psychonomic Society 15 (4):236-238.
  38.  22
    Nonstationary processes and conservative inference.James O. Chinnis & Cameron R. Peterson - 1970 - Journal of Experimental Psychology 84 (2):248.
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  39.  31
    Meaning and Mind: A Response to Thayer's Criticism of Lewis.James O. Bennett - 1979 - Transactions of the Charles S. Peirce Society 15 (3):224 - 233.
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  40. The cognitive value of music.James O. Young - 1999 - Journal of Aesthetics and Art Criticism 57 (1):41-54.
  41.  59
    Critique of Pure Music.James O. Young - 2014 - Oxford, GB: Oxford University Press.
    James O. Young seeks to explain why we value music so highly. He draws on the latest psychological research to argue that music is expressive of emotion by resembling human expressive behaviour. The representation of emotion in music gives it the capacity to provide psychological insight--and it is this which explains a good deal of its value.
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  42.  42
    Excerpt from.James McNamara & Dennis O'Keefe - 1990 - The Chesterton Review 16 (3/4):357-361.
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  43. Bibliography of Works Cited and Consulted.James O. Young - 2008 - In Cultural Appropriation and the Arts. Wiley-Blackwell. pp. 159–165.
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  44.  24
    The metaphysics of anti-realism.James O. Young - 1992 - Metaphilosophy 23 (1-2):68-76.
  45.  26
    Radically Rethinking Copyright in the Arts: A Philosophical Approach.James O. Young - 2020 - Routledge.
    The problems and the keys to their solutions -- Ontology of artworks -- Copyright and its limits -- Token appropriation -- Pattern appropriation -- Appropriation of artistic elements.
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  46.  27
    Philanthropy and Morality.James O. S. Huntington - 1892 - International Journal of Ethics 3 (1):39.
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  47.  53
    Some intuitions behind realizability semantics for constructive logic: Tableaux and Läuchli countermodels.James Lipton & Michael J. O'Donnell - 1996 - Annals of Pure and Applied Logic 81 (1-3):187-239.
    We use formal semantic analysis based on new constructions to study abstract realizability, introduced by Läuchli in 1970, and expose its algebraic content. We claim realizability so conceived generates semantics-based intuitive confidence that the Heyting Calculus is an appropriate system of deduction for constructive reasoning.Well-known semantic formalisms have been defined by Kripke and Beth, but these have no formal concepts corresponding to constructions, and shed little intuitive light on the meanings of formulae. In particular, the completeness proofs for these semantics (...)
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  48.  72
    Relativism and the Evaluation of Art.James O. Young - 1997 - The Journal of Aesthetic Education 31 (1):9.
  49.  79
    Ownership as Theft.James O. Grunebaum - 1990 - The Monist 73 (4):544-563.
  50.  24
    A History of Western Philosophy of Music.James O. Young - 2022 - New York, NY: Cambridge University Press.
    This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation (...)
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